An interstellar con artist forced to crew with the ship she screwed over (ARCLIGHT REDLINE). On office worker whose cynical humor hides suicidal tendencies (THE POWERS THAT BE). An autistic woman who just wants to be left alone, forced into a revenge drama (EVERY MOUNTAIN MADE LOW).
Where can we get colorful characters?
In the first part of this series, I shared my formula for planning a novel. Now, let’s talk character development.